So finally the names of theaters releasing ‘Endhiran’  have been announced. ‘Endhiran’ will set a new record by releasing in  30 screens only in the city limits of Chennai. So there will be around  120 shows per day for ‘Endhiran’ in the city. All the multiplexes have  allotted more than one screen to ‘Endhiran’. PVR Cinemas has given all  its five screens and that’s going to be a boon for the most populated  part of Chennai, North Chennai.
If you take the suburban theaters around Chennai it  would touch dizzy figures. Mayajaal is set to create a festival  atmosphere just as it did for ‘Sivaji: The Boss’. It is said that 
     Mayajaal alone will have 60 shows per day using all its 10 screens. So  you can coolly expect around 350 - 400 shows per day which is a never  heard before phenomenon.
Come September end, the state of Tamil Nadu is going  to be painted metallic grey. “Super Staru Yarunnu Kaetta China  Kuzhanthaiyum Sollum”. Even after 23 years when it was first asked.
     Meanwhile, the theatrical trailers will be officially  released on September 11 at a function held in Sathyam Cinemas,  Ambattur Raaki and KK Nagar Kasi Theatre.
Enthiran Movie Review
Enthiran Movie Review
He has an unwithering charm. He knows to carry  himself well onscreen. He is the one man mission who ensures all his  movies rake in moolah at the box office. Be it a suave villain, angry  young man or a tough cop, he was right there delivering his best,  entertaining Tamil masses for over three generations.
Growing young day after day, this one and only ’Super  Star’ has successfully scaled the Mount Everest thanks to ‘Enthiran’.  The man with a magic behind his name, Rajinikanth, is at it once again  with director Shankar, music composer A R Rahman and Sun Pictures giving  him company.
All is grand and great with ‘Enthiran’. From frame  one till the last, there is enough thrill, spill and chill that one  would normally associate with Rajinikanth. Perhaps it is double here.  The magic of Rajinikanth and the aura of Shankar have been combined well  to weave a magic on screen.
Add the pretty Aishwarya Rai in the scheme of things  and top it up with Rahman’s foot-tapping music combined with  state-of-the-art technology, the end part is nothing but amazing,  outstanding and what not.
Come to describe Rajinikanth in Enthiran, we may run  short of adjectives and adverbs. As scientist Vaseegaran and as robot  Chitti, the top actor sizzles. He is cool and suave as Vaseegaran. More  intellectual and stylish, he charms one and all.
Sporting a stylish beard, Rajinikanth appears in  trendy costumes in flashy colours. He has exemplary energy and enormous  screen presence quite like any other films of him in the past.
Coming to the songs, Rajinikanth looks more young and  trendy. He is as cool as cucumber, quite like a Sachin Tendulkar  scoring boundaries at his will from his willow. Come to speak about the  robot, it is a Rajnikanth special. As a ‘mobile’ machine, Rajinikanth  sizzles on screen. He is more a marvel to look at.
One wink of our eyes, we may miss out his charm and  acrobatics on screen. He may look tacky, but he combines the charm of  Sylverster Stallone, Arnold Schwarzaneger and the energetic Jackie Chan.
Due credits should be given to the graphics designers  and their team, who ensured that all is recreated well on screen. The  Robot flexing its muscles, as one man army going gaga in town and even  romancing Aishwarya Rai is a delight to watch.
Not far behind is beautiful Aishwarya Rai Bachchan,  who missed few chances before to act with Rajinikanth. In ‘Enthiran’,  she is cool and casual. The beauty with brains lends dignity to her  role.
Interestingly unlike other Rajnikanth films, here the  heroine is right there enjoying good screen presence. She is at her  best in duets, romance and their emotional scenes.
Cliched of same old faces in negative roles? Here a  shrewd Shankar throws a surprise in the form of Bollywood star Danny  Denzongpa. He is solid and splendid in his role. He does what is  expected of him. And lends solidity to the character.
Come to take about the story, it is about Man Vs  Machine which we have seen in many a Hollywood movie. Dr Vasseegaran  (Rajinikanth), a robotics professor creates an android humanoid robot  quite like him. The innocent machine is programmed to be a genius and  knows everything and anything under the sky.
Vasseegaran is assisted in this task by his  assistants Siva (Santhanam) and Ravi (Karunaas). Coming to knoiw about  the robot which is named Chitty, even Vasseegaran's ladylove and a  medico Sana (Aishwarya Rai) gets fascinated by it.
As everything goes well, trouble erupts when  Vasseegaran wants to get a patent for his creation. He creates it with a  sole aim of dedicating it to Indian army and he feels such a machine  would come handy to fight enemies in the border.
However Prof Bora (Danny Dengonzgpa) who is also  involved in the process of creating a similar robot wants to play  spoilsport. As it happens he rejects to give patent stating that it  lacks human emotions. But trouble erupts when Chitty is provided with  emotions.
It instantly falls for Sana's beauty which lands both  its creator and itself in deep trouble. A feud erupts between them.  Cashing in on the opportunity, Bora comes to take control of the  machine, when Vasseegaran dismantles it and throws it away.
Now the real war erupts between Vasseegaran and  Chitty. Chitty takes away Sana with him and in the process develops its  own army of robots (all alike him and more than 1000 Rajinis on screen).  Their only motive is to end Vasseegaran.
The last 40 minutes or so in nothing but  scintillating scenes where the army of robots programmed to destruct go  on killing spree. It is all up to Vasseegaran and Co to end Chitty's  menace. Eventually all's well that ends well.
Three cheers to Sun Pictures. The production house  has rendered a visual marvel. They have gathered all guts to produce a  mega budget affair in Indian cinema, which has come out exceedingly  well.
Thanks to Shankar and cinematographer Rathnavelu,  every penny that they have spent has been reflected well on screen. The  exotic locales across the globe for song sequences, grand laborartory  sequences, breath-taking graphic sequences, spine-chilling stunts and  chases everything justifies the huge money spent and is a pleasant  sight.
Due credit goes to Rathnavelu. The man behind the  lens has captured all marvels well. With his wide lens, astute use of  colours, wise choice of breath taking locations, Randy has proved why he  is one of the best in the business today. He has showed Rajinikanth at  his awesome best. 
Come to Sabu Cyril, the master art director today has  done his part well. And he does a cameo too as an arm broker Sha. The  lovely laboratory and the rest in the movie including the robots in  thousands have been recreated well. At many places, the sets seem very  close to reality.
Walking away with applause is Mozart of Madras A R  Rahman. All his songs are catchy, foot-tapping and trendy. The songs  like ‘Kadhal Anukkal….’, ‘Robo Dance…’, ‘Boom Boom…’ or ‘Kilimanjaro…’,  all evooke thunderous applause. Rahman’s mastery in blending  orchestration, harmony and rhythm add pep to all the numbers. The lyrics  too compliment the songs and the theme of the movie. The legend in  Vairamuthu, his novice son Kargy and Pa Vijay deserve applause.
Give due credit to editor Antony’s sharp scissors. A  little more of the movie would have spoiled the show and made it a  dragging affair. Thankfully, he has given what the people want. Short,  clean and crisp. Walking away with huge applause are the dialogue  writers late Sujatha, Kargy and Shankar. A complex sci-fi movie but easy  understandable dialogues. They have ensured that all complex scientific  details be made easy and understandable to the masses.
Come to master of the ship – Shankar. The man of many  achievements, who brought grandeur to Tamil cinema, has lived up to his  reputation. His dream project which eventually hit the screens is  nothing short of fun, frolic and excitement. Known for handling mass  themes with much ease, here he combines such elements with science. A  theme never heard before in Indian cinema, Enthiran, despite of very few  lagging moments, is nothing but a milestone movie. Shankar has added  one more jewel in his crown.

